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The Life 100


It started, predictably, with a girl.

We’d traded mixes — playlists, actually, exchanged not via cassettes or discs but on internet FTP sites (the role of computers and the internet in modern courtship, joining every single other aspect of life, worthy of a post itself). Hers, replete with sunshiney guitars, was more thoughtfully put together than mine. So I promised another. A more complete one. In fact, I offered to put together a life list of 100 songs, the music that mattered most in my life, figuring there can be no better way to acquaint one mind with another.

So I stayed up until 2 a.m., dragging the musical touchstones of my life from one pixelated window to another. Stan Getz, Simon and Garfunkel, Mamas and Papas (my parents’ music, absorbed by my infantile brain). The Beatles, The Who, Led Zeppelin (grade, middle, and high school demigods). The Cult, Prince, INXS, The Smiths (who aided, abetted, or more often, aggrieved me during various collegiate crushes). Dave Mathews, Jack Johnson, Jeff Buckley, Beck, Luke Reynolds — the alt-rock/folk savants whose lyrics I’ve memorized during thousands of miles of western road trips and hundreds of ascents of Mt. Glory. And about 80 others, all put into approximate chronological order, as they tumbled into my life.

The criteria was simple: these were songs that at one time caused me to practically drop all other music, to replace the needle again and again in the same spot, infatuated. Patsy Cline. Stevie Wonder. Aimee Mann. Nick Drake. A host of ’80s and ’90s dance oddities, from when I wore a lot of black, shot fashion photographs, cared what club was best on what night, and actually bought records by Vicious Pink. And then there are the ones that I think were important. Maybe, at their intersection with my life, I was actually listening to something else. Maybe the whole list is wishful thinking. Maybe all music lovers are continually refining their 100 Lists, subconsciously. And what you end up with, true or not, is your own musical definition of your life.

Back to the original intent — is the Life 100 ever appropriate for romantic purposes? I don’t know — it’s pretty damn personal. To put all these songs into one playlist, and then hit play, is to face the unfolding of one’s life — complete decades of daydreams, friendships, affairs, advances, and retreats. It’s a bit much, all these songs in one place. But if I’ve started now, I want it right. Which meant that recently, while plodding up Mt. Taylor and listening to the list on my iPod, I found myself back in my high school bedroom, cross-legged on the shag carpet, thumbing through my record collection. Floyd, Rush, wait, what’s this? Boston. The first album. I pull it out, study again the cover: a fire-belching, guitar-shaped UFO leaving a rupturing Earth. There is that distinct mingled smell of cardboard and vinyl. I squeeze the edges so the cover puckers and carefully draw out the glossy black disc itself. Side One, Track One. More Than a Feeling.

Nah.

I’ll probably never finish the Life 100. How could I? My life will continue (hopefully) and I do hope to fall in love anew, with music that I’ve never heard before, that hasn’t been created yet. And I know I’m not remembering many of my past sonic crushes. In the past few days, I’ve remembered my first grade musical love, “American Pie” (How could I forget?), a song by the Pixies that saw me through some thorns after college, “I Melt with You” by Modern English (though it’s hard to find an unprotected mp3 of the original recording), and Manfred Mann’s “Blinded by the Light,” which seemed to run incessantly through the sound system of the Time Tunnel, a roller skating rink in El Paso, Texas, and which cemented, for the first time, a relation between girls, music, mystery, and want.

Maybe now, a few decades later, I’ll figure out the lyrics.

Or not.

Not to get too personal, but I’d love to hear others’ picks for their own Life 100s. At least a few. C’mon. Please?

  • March 5th, 2009
  • Posted in DG
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